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Wolff Olins is a brand consultancy. We are ambitious for clients and optimistic for the world. Our aim is to create better realities not just a nicer image.

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      Nike Music Shoe: Innovation in fashion, a new way to look at a common product.

      Via noquedanblogs (Melissa Scott)

      Giving Networks Meaning


      I teach a class in Manhattan that focuses on designing innovative sustainable business models for firms targeting developing economies.  At the least, my recent class’ research contributed to the consensus view that the new global networked economy is going to look very different than our national industrial economies looked over the past century. No big surprise there. 

      In a new, technology-driven, hyper-connected world that rests on technology, data becomes the basis for new IP.  Digital services become the new products.  And products become the new marketing.  Firms must re-think their very nature of their structure, physical and otherwise.  This has huge implications for brands that are focusing their innovation spending toward developing economies.

      Here’s a way to think of the changes taking place.  The business structure of the past century was hub-and-spoke.  The headquarters and manufacturing facility for a beverage maker are generally centralized (hub).  Resources are piped in from all over the world to make a patented concoction, and then product is distributed back out, all around the world (spokes). 

      Imagine now a different vision for how this might work.  Not hub and spoke with the firm in the middle, but instead a more evenly distributed set of smaller, regional networks working in parallel.  The new global brand would look more like a soccer ball, (less like an airline flight map), with businesses operating within each region providing lower impact, more sustainable solutions.  The success of the organization then is as much about the management of these clusters and the connections in-between as it is about the product or service being offered.

      But if we type “networks” into an image search, the results beget a question– What is all this telling me?  I understand these beautiful maps are relaying information, but what am I supposed to DO with them?  How do I use it?  Moreover, the information tends to be reflective since it’s based on collected data.  Telling me the way things were- perhaps just a moment ago- but still in the past. 

      Earlier this week, Stanley McChrystal, leader of American and NATO forces in Afghanistan reacted to a PowerPoint slide of a complex network.

      “When we understand that slide, we’ll have won the war,” General McChrystal dryly remarked, one of his advisers recalled, as the room erupted in laughter

      The article then went on to point out PowerPoint as the culprit.  But this article missed the mark.  It’s not about the software (although it’s a huge contributor), as much as the inability of design to clearly articulate the relationships within the network.  Again, the focus becomes those connections in-between.  As we face more and more complex sets of data and networks of information, the implications of our ability (or inability) to communicate the realities is incredible.  Or if you think of how the inability to understand the impact of derivatives within the financial system, or interrelationships of terrorist networks within our global population,  it’s downright startling.  

      In the world of learning and academia, we often hear the number 3 or 7 referenced as the limit of “things we can absorb”.  Is there a limit to our ability to comprehend these mass amounts of data?  Do we really understand what these synapse-like illustrations of the World Wide Web are telling us?  Or is it simply that we’re drawn to the beauty of that which we created, but can’t quite comprehend? Clearly, there’s a call for design to make comprehensible our ever-expanding world of social and technological networks.  But perhaps more importantly, what are the risks if we don’t?

      (eric wilmot)

      DO YOU WANT BRAND AS YOUR FRIEND?

      I recently received a text message from my unnamed Middle Eastern mobile phone provider. There wasn’t anything particularly strange in this, even though when I signed up I ticked the box that said ‘no’ to the question; ‘can we solicit you with SMS messages from our partners or ourselves from time to time’. They still find it ok to send me unannounced text messages at all hours of the day and night.

      If not listening to my preferences wasn’t bad enough, this particular brand has decided that it now wants to behave as my friend, only in a way that screams ‘trying too hard’. Firstly I don’t want brands to talk to me as a friend, I want them to be useful and relevant. Yes, I want them to understand me but I don’t want them to speak as if we had just shared an intimate Shawarma under the bustling glow of Dubai at night.

      Brands in the Middle East need to work at better understanding customers, rather than pushing services and speaking to them in a way which is not creating relevance. Open better dialogue with customers, get under the skin of what makes them tick and grow a relationship on a level that is acceptable for both parties. Then those very brands can think about how innovation will make that relationship more prosperous rather than inundating them with old, tired and non-relevant product and messaging.

      ‘Useful’ and not ‘my friend’ would be a great anchor point for Middle Eastern brands to start focusing on how better to fit into customer’s lives.

      (David Bruce)

      Two bits of content on cities caught my attention last week. BBC’s engaging documentary on Lagos, Nigeria - http://www.bbc.co.uk/programmes/b00s3bmx - and the Economist’s profile of Portland, USA http://www.economist.com/world/united-states/displaystory.cfm?story_id=15911324
Both paint radically different pictures of modern cities. And both pose the question: what should the modern city look like, feel like, act like. And the answers are not as clear cut as one might assume.
(Ije)

      Two bits of content on cities caught my attention last week. BBC’s engaging documentary on Lagos, Nigeria - http://www.bbc.co.uk/programmes/b00s3bmx - and the Economist’s profile of Portland, USA http://www.economist.com/world/united-states/displaystory.cfm?story_id=15911324

      Both paint radically different pictures of modern cities. And both pose the question: what should the modern city look like, feel like, act like. And the answers are not as clear cut as one might assume.

      (Ije)

      BOARDING PASS RE-DESIGN

      In these volcanic times when airlines have lost nearly $2 billions and passengers have been left stranded for days on-end in foreign cities, frustration is mounting for all parties involved.  When flights do resume, a massive undertaking will be to get travelers to their respective boarding gates. But often times the boarding passes that passengers receive are unclear, causing undo confusion, questioning and ultimately more delays.

      On a recent flight, Creative Director Tyler Thompson expressed his frustration with this experience by thumbing a re-designed Delta’s boarding pass. While minor, his proposed re-design is easy to read, well branded and may help to make passengers flight experience a tad more bearable.

      (George)

      Do less of everything and more of the things people really need…
      The basics are beautiful and profitable.
      Jason Fried @ Ad Age Digital Conference

      Vitra Chairless, Innovation?

      A new product from Vitra, Chairless, is a branded fabric strap so you can
      sit anywhere. Supposedly the perfect fit for iPad users.

      Like it or hate it, shows ideas can come from all places, in this case
      traditional made modern: a portion of profits benefit the Ayoreo Indians,
      the original source of inspiration. (Source Cool Hunting)

      (Melissa Scott)


      IS THE 4Ps FRAMEWORK STILL RIGHT?
We live in a world where things are changing fast, where the power is shifting from brands to consumers, and where consumer behaviors are constantly evolving. As a brand manager, it’s hard to keep up… The four Ps (Product, Place, Promotion and Price) framework was created in 1964 by Neil H. Borden (The concept of Marketing) and has been widely used by generations of marketers. The four Ps are the parameters that the marketing manager can control, subject to the internal and external constrains of the market environment.    Is the 4 Ps framework still relevant today? Are the 4 Ps still the right concepts to keep in mind when you think about marketing? The answer is yes, more so than ever. The framework helps the marketing manager to innovate based on what matters.   Product: the fact that 75% of new products fail at launch demonstrates that people don’t need more stuff, they need better experiences. More than thinking about products, brand managers should think in terms of experiences. How can the offer be integrated within a social context? How can product delivery build customer loyalty when quality is less and less a differentiating factor?   Place: the Internet opened new opportunities for product distribution. More than a new retail channel, the web represents today an enabler for a new type of transaction. How does the Internet reshape the distribution strategy of your offer?  Price: the severity of the economic crisis has prompted consumers to fundamentally rethink the way they act and consume. Price is probably the burning topic in any brand manager’s head right now. 55% of the people who reduced spending as a result of the recession did it through choice (source: McKinsey consumer research, 2010). How will your pricing strategy reflect the new thrift mentality of consumers? How can you leverage new saving mentalities to innovate on new products and services?   Promotion: promotion represents “the various aspects of marketing communication, that is, the communication of information about the product with the goal of generating a positive customer response” (source: NetMBA.com). Today, 65% of people feel they are constantly bombarded with too much advertising (source: Yankelovich 2009), and 76% of customers don’t believe the claims made in advertising (source: Word of Mouth Marketing Association, 2010). Promotion is still at the core of successful marketing strategies, but tactics need to evolve. How can you create relevant, open and long-lasting conversations with customers?   Don’t think the framework is bad. Despite its limitations and perhaps because of its simplicity, the 4 Ps framework still offers a solid approach to marketing. What represents each of the 4 Ps may have changed, but the framework still invites each of us to ask ourselves the right questions.
(Jean-Yves Minet) 

      IS THE 4Ps FRAMEWORK STILL RIGHT?

      We live in a world where things are changing fast, where the power is shifting from brands to consumers, and where consumer behaviors are constantly evolving. As a brand manager, it’s hard to keep up… The four Ps (Product, Place, Promotion and Price) framework was created in 1964 by Neil H. Borden (The concept of Marketing) and has been widely used by generations of marketers. The four Ps are the parameters that the marketing manager can control, subject to the internal and external constrains of the market environment.
       
      Is the 4 Ps framework still relevant today? Are the 4 Ps still the right concepts to keep in mind when you think about marketing? The answer is yes, more so than ever. The framework helps the marketing manager to innovate based on what matters.
       
      Product: the fact that 75% of new products fail at launch demonstrates that people don’t need more stuff, they need better experiences. More than thinking about products, brand managers should think in terms of experiences. How can the offer be integrated within a social context? How can product delivery build customer loyalty when quality is less and less a differentiating factor?
       
      Place: the Internet opened new opportunities for product distribution. More than a new retail channel, the web represents today an enabler for a new type of transaction. How does the Internet reshape the distribution strategy of your offer?
       
      Price: the severity of the economic crisis has prompted consumers to fundamentally rethink the way they act and consume. Price is probably the burning topic in any brand manager’s head right now. 55% of the people who reduced spending as a result of the recession did it through choice (source: McKinsey consumer research, 2010). How will your pricing strategy reflect the new thrift mentality of consumers? How can you leverage new saving mentalities to innovate on new products and services?
       
      Promotion: promotion represents “the various aspects of marketing communication, that is, the communication of information about the product with the goal of generating a positive customer response” (source: NetMBA.com). Today, 65% of people feel they are constantly bombarded with too much advertising (source: Yankelovich 2009), and 76% of customers don’t believe the claims made in advertising (source: Word of Mouth Marketing Association, 2010). Promotion is still at the core of successful marketing strategies, but tactics need to evolve. How can you create relevant, open and long-lasting conversations with customers?
       
      Don’t think the framework is bad. Despite its limitations and perhaps because of its simplicity, the 4 Ps framework still offers a solid approach to marketing. What represents each of the 4 Ps may have changed, but the framework still invites each of us to ask ourselves the right questions.

      (Jean-Yves Minet) 

      Good brand, bad brand

      Yo, pretty packages of frosted delights
      Look, it comes with a toy hehe, I like that.
      I wanna number 4, a number 6, and throw in a plastic doughnut
      Just enjoy the gritty crunch, it tastes just like chicken.
      Wrappers of many bit sizes
      Man, are you freakin blind? That’s a rock.
      All mixed in the pot for momma’s homemade from scratch, well, not quite.
      Toasted over flames, they be tasting quite right.

       From Superfast JellyFish - by Gorillaz feat. De La Soul, Gruff Rhys

      ——-

      One of the more popular definitions of brand is “what is left when the product is taken away”. In other words, that little sumthin sumthin that makes people pay a higher margin for your product.

      I don’t like that definition. As a brand practitioner, it makes me out to be a con artist (getting you to pay more than something is actually worth).

      A brand is not distinct or distinguishable from the product. Indeed, a great brand is one that both defines, directs and inspires the product, and is itself manifest, realised and extended by the product.

      (Ije Nwokorie)

      SXSW 2010 Pop-Up Shows by AOL Music and WO

      In a collaboration with Wolff Olins and AOL’s music website,  Spinner, AOL hosted four free pop-up shows during the South by Southwest Festival (SXSW) in Austin, Texas. Broken Bells kicked off the series on March 17, followed by Rogue Wave on March 18, VV Brown on March 19, and Rival Schools on March 20. It was surely an exciting weekend for art and music lovers. Times and locations were revealed the day before each performance on Spinner, AOL music’s SXSW hub, the Spinner Facebook Fan Page, and to Spinner / SXSW Twitter followers. 

      Videos from each secret show is now available via streaming on SXSW 2010 Festival Official Coverage the day after each show.

      The posters were designed by WO and were beautifully screen printed by D&L Screen Printing of Seattle, a legend in the grunge music scene.

      The spirit of this collaboration truly lies in the heart of AOL. Connecting with the latest in art and culture is an important aspect of their brand and one they aim to bring to their readers.

      (Janice Chow)

      @janicemomoko